Best of NAB 2016

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Best Products from NAB 2016

Every year we post a round up of NAB and what we think are the most impressive product announcement. For reference, you can read out previous Best of NAB from 2015?and 2014. Naturally, we’re storytellers, and that’s all we really care about, but having the right tools to help us tell these stories are essential.

By no means are we gear heads, and these roundups are our own, independent, opinions.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]The impressive, 4K, HDR Atomos Shogun Inferno[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”5/6″ offset=”vc_col-sm-offset-1″][vc_column_text]

Atomos Shogun Inferno

For the first time on our NAB roundups, Atomos makes the list. Their products have always been impressive and director monitors are essential, in our humble opinion. The Shogun Inferno packs a punch, too, with 4K recording and other essential features such as false color, scopes and XLR audio inputs.

What’s truly impressive is that the Shogun Inferno records HDR with log images. HDR is the next leap in filmmaking and allows for a more realistic final product, meaning your audiences will be that much more attached to your story. Netflix and Amazon Prime are both delivering content in HDR, and that means YouTube and Vimeo and mobile phones aren’t that far off. The time to starting thinking about this is now.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

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Lumberjack System Derived Keywords

Lumberjack is an essential tool that we use on every documentary project or anything with interviews that need to be transcribed. Last years at NAB Lumberjack added transcription keyword ranges for FCPX, and this year they’ve taken it a step further with Derived Keywords.

This may not be the most exciting feature but it’s incredibly powerful. It’s our guess that in the near future we’ll be able to fully automate transcription and, in conjunction with, derived keywords we can quickly and easily make assembly edits- so long as you know your story going into it. This will speed up many laborious steps in post production even more so than FCPX and Lumberjack have already done.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

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DJI Ronin MX and M600 Drone

DJI is always coming out with awesome products, we’re big fans from the Phantom line of drones to the Ronin stabilizers. We use them all the time and these are two our favorite tools that help us tell incredible stories. DJI has continued to refine and update their product line and the Ronin MX and M600 Drone are two of their best. Check out the awesome video featuring TAR Production’s frequent collaboration DP?Ernesto Lomeli.


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Re:Vision Effects

We would be missing something if we didn’t feature any VR. Long before our VR shoot with Samsung, we’ve been big fans and proponents of Virtual Reality. Besides HDR, this is also the next big leap for filmmaking. GoPro, Nokia and others are all making multi-camera VR possible, but this always involves stitching the camera together. At NAB 2016, Re:Vision Effects launched a new product plug-in Re:lens for After Effects (with more compositing platforms and NLEs coming soon).

As the video above suggests, you can shoot 360? video using a single lens. This works using a combo of hardware lens adaptors and software. It’s pretty catchy.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”5/6″ offset=”vc_col-sm-offset-1″][vc_column_text]

What are your thoughts on NAB 2016 and where the video industry is going? Let us know in the comments below!



  1. This is great! Thank you for the recap and updates! The Ronin MX is a game changer for drone pilots and is going to speed up production from ground to air seamlessly. So sick!
    I am in need of a monitor and want that inferno…

  2. Did you see the SteadiPod? It was picked by “NAB Show” as one of the BEST Products! It eats Steadicams & Gimbals for breakfast, Lunch, dinner & in between meal snacks (provided that you are shooting with a 6 pound or lighter camera, otherwise it’s a bit too much for it to bite off)

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